Chesapeake Blue (Chesapeake Bay Saga 4) - Page 6

  It was, she thought, the finest of compliments. "No point in being in the wrong one. And since you're about to break my record for single walk-in sales, it's Dru."

  "Nice."

  "And the fourth lucky woman?"

  "Bold, beautiful, smart and sexy. With a heart like…" Anna's heart, he thought. "With a heart beyond description. The most amazing woman I've ever known."

  "And apparently you know quite a few. One minute." Again, she went into the back. He was admiring the sunflowers when Dru came back with Asiatic lilies in triumphant scarlet.

  "Oh man. They're so Anna." He reached out to touch one of the vivid red petals. "So completely Anna. You've just made me a hero."

  "Happy to oblige. I'll box them, and tie ribbons on each that coordinate with the color of the flowers inside. Can you keep them straight?"

  "I think I can handle it."

  "Cards are included. You can pick what you like from the rack on the counter."

  "I won't need cards." He watched her fit water-filled nipples on the end of the stems. No wedding ring, he noted. He'd have painted her regardless, but if she'd been married it would have put an end to the rest of his plans.

  "What flower are you?"

  She flicked him a glance as she arranged the first flowers in a tissue-lined white box. "All of them. I like variety." She tied a deep purple ribbon around the first box. "As it appears you do."

  "I kind of hate to shatter the illusion that I've got a harem going here. Sisters," he said, gesturing toward the flowers. "Though the sunflowers are niece, cousin, sister. The exact relationship's a little murky."

  "Um-hm."

  "My brothers' wives," he explained. "And one of my brothers' oldest daughter. I figured I should clear that up since I'm going to paint you."

  "Are you?" She tied the second box with pink ribbon edged with white lace. "Are you really?"

  He took out his credit card, laid it on the counter while she went to work on the sunflowers. "You're thinking I'm just looking to get you naked, and I wouldn't have any objection to that."

  She drew gold ribbon from its loop. "Why would you?"

  "Exactly. But why don't we start with your face? It's a good face. I really like the shape of your head."

  For the first time, her fingers fumbled a bit. With a half laugh, she stopped and really looked at him again. "The shape of my head?"

  "Sure. You like it, too, or you wouldn't wear your hair that way. Makes a powerful statement with a minimum of fuss."

  She tied off the bow. "You're clever at defining a woman with a few pithy phrases."

  "I like women."

  "I figured that out." As she finished up the red lilies, a pair of customers came in and began to browse.

  A good thing, Dru thought. It was time to move the artistic Mr. Quinn along.

  "I'm flattered you admire the shape of my head." She picked up his credit card to ring up the sale. "And that someone of your talent and reputation would like to paint me. But the business keeps me very busy, and without a great deal of free time. What free time I do have, I'm extremely selfish with."

  She gave him his total, slid the sales slip over for his signature.

  "You close at six daily and don't open on Sundays."

  She should've been annoyed, she thought, but instead she was intrigued. "You don't miss much, do you?"

  "Every detail matters." After signing the receipt, he plucked out one of her gift cards, turned it over to the blank back.

  He drew a quick study of her face as the blossom of a long stemmed flower, then added the phone number at home before he signed it. "In case you change your mind," he said, offering it.

  She studied the card, found her lips quirking. "I could probably sell this on eBay for a tidy little sum."

  "You've got too much class for that." He piled up the boxes, hefted them. "Thanks for the flowers."

  "You're welcome." She came around the counter to open the door for him. "I hope your… sisters enjoy them."

  "They will." He shot her a last look over his shoulder. "I'll be back."

  "I'll be here." Tucking the sketch into her pocket, she closed the door.

  IT HAD been great to see Sybill, to spend an hour alone with her. And to see the pleasure she got from arranging the flowers in a tall, clear vase.

  They were perfect for her, he concluded, just as the house she and Phillip had bought and furnished, the massive old Victorian with all the stylized details, was perfect for her.

  She'd changed her hairstyle over the years, but now it was back to the way he liked it best, swinging sleek nearly to her shoulders with all that richness of color of a pricey mink coat.

  She hadn't bothered with lipstick for the day of working at home, and wore a simple and crisp white shirt with pegged black trousers, what he supposed she thought of as casual wear.

  She was the mother of two active children, as well as being a trained sociologist and successful author. And looked, Seth thought, utterly serene.

  He had reason to know that that serenity had been hard-won.

  She'd grown up in the same household as his mother. Half sisters who were like opposite sides of a coin.

  Since even the thought of Gloria DeLauter clenched his stomach muscles, Seth pushed it aside and concentrated on Sybill.

  "When you, Phil and the kids came over to Rome a few months ago, I didn't think the next time I'd see you would be here."

  "I wante

d you to come back." She poured them each a glass of iced tea. "Totally selfish of me, but I wanted you back. Sometimes in the middle of whatever was going on, I'd stop and think: Something's missing. What's missing? Then, oh yes, Seth. Seth's missing. Silly."

  "Sweet." He gave her hand a squeeze before picking up the glass she set down for him. "Thanks."

  "Tell me everything," she demanded.

  They talked of his work and hers. Of the children. Of what had changed and what had stayed the same.

  When he got up to leave, she wrapped her arms around him and held on just a minute longer. "Thanks for the flowers. They're wonderful."

  "Nice new shop on Market. The woman who owns it seems to know her stuff." He walked with Sybill, hand in hand, toward the door. "Have you been in there?"

  "Once or twice." Because she knew him, very well, Sybill smiled. "She's very lovely, isn't she?"

  "Who's that?" But when Sybill merely tipped her head, he grinned. "Caught me. Yeah, she's got some face. What do you know about her?"

  "Nothing, really. She moved here late last summer, I think, and had the store open by fall. I believe she's from the D.C. area. It seems to me my parents know some Whitcombs, and some Bankses from around there. Might be relatives." She shrugged. "I can't say for certain, and my parents and I don't… communicate very often these days."

  He touched her cheek. "I'm sorry."

  "Don't be. They have two spectacular grandchildren whom they largely ignore." As they've ignored you, she thought. "It's their loss."

  "Your mother's never forgiven you for standing up for me."

  "Her loss." Sybill spoke very precisely as she caught his face in her hands. "My gain. And I didn't stand alone. No one ever does in this family."

  She was right about that, Seth thought as he drove toward the boatyard. No Quinn stood alone.

  But he wasn't sure he could stand pulling them into the trouble he was very much afraid was going to find him, even back home.

  * * *

  Chapter Three

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  ONCE DRU HAD RUNG UP the next sale and was alone in the shop again, she took the sketch out of her pocket.

  Seth Quinn. Seth Quinn wanted to paint her. It was fascinating. And as intriguing, she admitted, as the artist himself. A woman could be intrigued without being actively interested.

  Which she wasn't.

  She had no desire to pose, to be scrutinized, to be immortalized. Even by such talented hands. But she was curious, about the concept of it, just as she was curious about Seth Quinn.