From A Producer To A Global Superstar
Chapter 728 News About Album
The conference room at JD Records was already occupied when Dayo arrived. Valerie sat near the end of the table, going through the documents Alice had sent earlier, while Ulrich discussed a few arrangements with one of the marketing executives. Wayne was seated beside the large display screen, looking through several images on his laptop. Alice stood near the screen, comparing two versions of the same design.
Dayo greeted everyone before taking his seat. He placed his phone on the table and looked towards Wayne, who had been particularly quiet since the meeting began.
"Have you people finished arguing about the artwork?" Dayo asked.
Wayne looked up from his laptop. "We haven’t been arguing. We’re trying to make sure we get it right. There’s a difference."
Alice turned away from the screen. "He’s been saying that for the past twenty minutes, but he keeps going back to the same two versions."
"Because both versions are good," Wayne replied. "I’m trying to decide which one gives the right impression."
Valerie closed the document in front of her and joined the conversation. "Let’s see what we have first. We can discuss the other details afterwards."
Alice connected her laptop to the display, and the first design appeared on the screen. It showed a door standing slightly open in what looked like a dark corridor. Beyond the doorway, a bright light spread across the floor, reaching towards the darker space in front of it. The contrast between the two sides was clear, with the area around the entrance almost completely covered in darkness while the space beyond it appeared bright.
Dayo studied the image for a while before asking Alice to bring up the second version. The other design had the same central idea, but the lighting was arranged differently. It showed more of the corridor, with a gradual change from brightness to darkness before the light appeared again at the far end. The door was still visible, although it did not occupy as much of the image.
"Which one do you prefer?" Valerie asked.
Dayo leaned back slightly as he considered both designs. "I like the idea behind the first one, but I think the second version explains the journey better. It starts with light, then there’s darkness, and the light comes back at the end. That’s what I want people to understand when they look at it."
Wayne moved closer to the screen. "That’s what we discussed when we were working on the concept. The album isn’t supposed to represent one particular moment. It covers different experiences, and the artwork needs to reflect that. You have the beginning, the difficult part and then the possibility of things getting better."
"Exactly," Dayo replied. "I don’t want it to look as though the entire story is about darkness. There’s a reason the light returns at the end."
Alice brought the second version forward again and adjusted the brightness on the screen. She explained that the design team had deliberately avoided filling the entire image with too many details because they wanted the doorway and the change in lighting to remain the main focus. The artwork needed to be clear enough for people to understand the idea without having to read an explanation.
Ulrich examined the image from his seat. "I think this works. It gives people something to interpret, and it doesn’t reveal too much about the music. They can look at it and come up with their own understanding."
"That’s what I want," Dayo said. "People can have different interpretations. We don’t need to explain everything before the album comes out."
Valerie asked whether the design team had prepared the final version in all the required formats. Alice confirmed that they had. The artwork could be used across Instagram, TikTok, YouTube and the other platforms, with adjustments made to suit each platform’s layout. They had also prepared a version for the official album announcement, along with a short caption that would accompany the image.
Alice opened the caption document. "We kept it simple. The artwork carries most of the message, so there’s no need to write a long announcement. We can put the album information in the caption and let people know that it’s coming soon."
Dayo read through the proposed wording before handing the document back. He did not want the announcement to reveal the release date yet. The team could begin building anticipation with the artwork, then decide when to introduce the next part of the campaign. They had spent time discussing the order of the announcements, and he wanted the first post to create curiosity rather than answer every question.
"Let’s use this version," he said, pointing towards the image on the screen. "The artwork is ready, and I think we’ve spent enough time going through it. We can release it today."
Alice confirmed that the social media team was ready. The posts had been prepared, the images had been checked, and the relevant accounts were waiting for approval. Once Dayo gave the final confirmation, they could publish the announcement across his official pages and JD Records’ accounts.
The meeting moved briefly to the posting arrangements. Alice explained that the announcement would go out across the major platforms at almost the same time, while the company’s regional teams would share it through their own pages. The marketing department had also prepared material for entertainment publications that wanted to cover the announcement. Nothing in the material revealed the album’s tracklist or the full creative direction.
Dayo looked towards Wayne. "You haven’t told anybody anything else, have you?"
Wayne laughed. "What exactly do you think I’ve been doing? I’ve kept my mouth shut."
"You were the one who started all this when you said we were working on something," Alice reminded him.
"I said we were working on something. I didn’t say what it was."
"People have been asking you questions since then," Ulrich added.
Wayne shrugged. "They can keep asking. I’m not going to tell them anything."
Valerie smiled before returning to the business at hand. "Alright, let’s get the announcement ready. Alice, confirm that everything is in place, and let us know once the posts are live."
Within a few minutes, the marketing team had completed its final checks. Dayo picked up his phone while Alice confirmed that the artwork had been uploaded to the prepared posts. He looked at the image one more time, then approved the announcement.
The first post appeared on his Instagram account, followed shortly by the announcement on TikTok and YouTube. JD Records shared the same artwork through its official pages, and the regional teams began reposting it. The caption was short, giving the public only one clear message: a new album was coming soon.
For a few moments, the response was still building. Then the notifications began arriving faster than the team could comfortably follow.
Dayo’s Instagram post started attracting likes and comments almost immediately. People who had not seen him post in a while began sharing screenshots of the announcement, while others copied the image and uploaded it to their own accounts. His TikTok announcement was also spreading quickly, with users making videos about the artwork and discussing what they thought the new album might sound like.
On YouTube, the community post began receiving thousands of responses within minutes. Subscribers who had been waiting for another musical announcement filled the comments section, and several music channels shared the image while asking their audiences what they thought Dayo was preparing.
The reactions were not limited to his existing followers which is the highest there’s. People who had only followed his career casually began seeing the artwork through reposts, entertainment pages and recommendations. Some were surprised that he had announced another album, while others said they had been expecting something since Wayne’s earlier comments.
"He’s finally posted," one fan wrote.
Another replied, "I thought I was going to grow old before this man posted anything again."
Yeah and funny how even after not posting or apperaing for a long while his relevance doesnt reduce....JDEFFECT
Tomi A. commented, "Wayne wasn’t lying. He actually said something was coming, and everybody thought he was just trying to create noise."
Kenny J. added, "The artwork is beautiful. I want to know what the album is called, and when we’re getting it."
A user named Nana K. focused on the image itself. "Can we talk about this cover for a second? The door, the darkness and the light at the end. Whoever came up with this understood the assignment."
Mika S. replied, "The way the image starts bright, moves into darkness and then brings the light back is interesting. I wonder what the album is about."
The discussion continued as more people joined in. Some fans were already trying to interpret the artwork, while others were more interested in knowing when the album would arrive. A few asked whether Dayo would release a teaser before the full project, and others wanted to know if he had planned a listening event.
On TikTok, the image was being used in reaction videos, with people recording themselves as they read the announcement. Several users made short videos discussing the possible meaning of the door, while others simply expressed how happy they were to see another album announcement from him.
One user, Chika M., posted, "Dayo has announced an album and I haven’t even recovered from the last one. How are we supposed to prepare for this?"
Another, Daniel O., wrote, "The artwork is giving me a lot to think about. I don’t know what the music sounds like yet, but I already want to hear it."
A fan account called Dayo’s Corner uploaded the image with a message asking followers to share their expectations. The responses filled the post within a short time, with people discussing the kind of music they wanted to hear and whether the new album would follow the direction of Beautiful Things or introduce something completely different.
Inside JD Records, Alice was following the reaction through the marketing dashboard. The numbers were increasing across all the platforms, and the social media team was already receiving updates from the regional offices. She moved between the different reports, checking the engagement and the speed at which the announcement was spreading.
Wayne had returned to his seat, but he was no longer looking at the artwork. His phone had been receiving messages from people who wanted to know how much he knew about the project. He showed one of the messages to Dayo, who laughed when he read it.
"See what you’ve done?" Dayo said.
Wayne looked at the message again. "I haven’t done anything. I only said we were working on something. People decided to investigate me."
"You could have kept quiet from the beginning," Alice said.
"Would that have stopped them? They would still have been asking questions."
Valerie was more interested in the reports Alice was bringing up. "How is the announcement performing compared with the previous album campaign?"
Alice checked the figures before answering. "It’s moving much faster than our usual announcements. The Instagram post has already passed several million likes, and the comments are increasing every minute. TikTok is also seeing a lot of activity, especially from users who are reposting the artwork and making their own videos about it."
Ulrich looked towards the screen. "What about the overall reach?"
"We’re still collecting the figures from the regional teams, but the initial estimate is already extremely high. The announcement is reaching people well beyond the accounts that follow Dayo directly. A lot of the traffic is coming from reposts and entertainment pages."
Dayo listened without interrupting. He had expected a strong reaction because of his audience, but the speed of the response was still worth examining after all he didn’t make use of the system and wanted to test ability of his marketing team and they seem to be delivering well. His followers were spread across different countries, and his presence on TikTok, Instagram and YouTube meant that an announcement could reach several large audiences at once. The fact that he did not post frequently made the update even more noticeable.
Meanwhile, entertainment publications had begun picking up the story. Several music news pages reposted the artwork, while larger outlets started preparing articles about the announcement. Some of the headlines focused on Dayo’s return to the release cycle, while others discussed the expectations surrounding his next album.
One publication described the announcement as the beginning of another major campaign for the artist. Another pointed out that Dayo had built a record of releasing albums that performed beyond the achievements of his previous projects. A third focused on the artwork, explaining that the image appeared to represent a movement from light into darkness and back towards hope.
As the reports continued to spread, some journalists returned to the history of his previous releases. Dayo’s first album had become a major commercial success and had come close to the highest sales record at the time. His later projects had gone further, with each one setting new expectations for what he could achieve. Beautiful Things had taken that pattern to another level, recording more than 20 billion verified streams within its first fourteen days and eventually passing 25 billion streams as of now.
The numbers were difficult for many commentators to ignore. Even people who had followed his career for years were discussing whether the next album could achieve anything close to the performance of Beautiful Things.
One music publication wrote that Dayo had reached a point where the announcement of a new album was enough to attract not just international but the world attention. Another questioned whether he could surpass the records set by his previous project, especially when the figures had already exceeded what most artists could expect from an entire career.
The discussion also brought back comparisons with Michael Jackson. Some commentators argued that Dayo’s commercial reach, popularity and ability to attract attention across different parts of the world placed him among the biggest artists of the modern era. Others pointed out that comparing two artists from different generations was never straightforward, even when their achievements were being discussed in the same conversation.
A popular music commentator posted a video discussing the expectations surrounding the new album. He explained that Dayo had already broken several records with Beautiful Things, and the question was no longer whether his next release would attract attention. The real question was whether it could reach a level that would surpass the previous album.
Under the video, a user named Samuel E. wrote, "I honestly don’t know what number people expect him to reach anymore. He has already done things that sounded impossible before."
Another commenter, Ifeoma R., replied, "That’s the problem. Every time he releases something, people think he has reached the limit, then the next album does even better."
"And now the million dollar question is can he surpass 25 billion streams and 300 million stream a day? "
A different user disagreed with the expectation that every album had to break the previous record. "I want him to release good music first. If it beats the last album, fine. If it doesn’t, that doesn’t mean it failed. Beautiful Things has already set a ridiculous standard that the world called it an event that is unlikely to be broken for the next five decades so give the brother a break."
That comment attracted its own discussion. Some people agreed that Dayo should not be judged only by numbers, while others believed his history made the question unavoidable. A few fans even began making their own predictions about first-day streams, first-week totals and the number of countries in which the album might reach number one.
Back at JD Records, the management team had moved into a more detailed review of the announcement. Alice had gathered the first set of figures, and the reports from the different platforms were being added to the main dashboard. Valerie asked the team to separate the actual engagement from the estimated reach so that the numbers would not be confused.
"The first figures are in," Alice said. "Across the main platforms, the announcement has reached an estimated 1.4 billion accounts and impressions combined. That’s still an early figure because some of the regional reports haven’t been fully processed."
Ulrich looked at the report. "And the direct engagement?"
"Instagram is already approaching 48 million likes, with more than three million comments. TikTok has recorded millions of videos and posts connected to the announcement, including reposts and reactions. YouTube is also seeing a very strong response through the community post and the videos discussing the artwork."
Wayne leaned forward to examine the figures. "That’s a lot of attention for an announcement that doesn’t even have a teaser attached to it."
"It is," Alice replied. "But we should also look at where the attention is coming from. The announcement is spreading through fan pages, entertainment publications and people who don’t necessarily follow Dayo directly. That’s one of the reasons the reach is so high."
Valerie asked whether the team could estimate how much of the attention would turn into actual album listeners. Alice explained that they could develop projections using the available engagement patterns, previous release data and the audience’s behaviour during earlier campaigns. However, she made it clear that the figures would remain forecasts until the album was released.
She brought up a separate report showing the expected range for the opening day and first week. The marketing department had prepared several scenarios, each based on different levels of audience conversion. The projections were far above the opening figures of most major releases, but Alice reminded the team that social media attention could not be treated as guaranteed streams.
"We need to be careful with that," she said. "A person liking the artwork doesn’t automatically mean that person will listen to the album on release day. The audience is enormous, but we still have to give them a reason to stay interested between now and the release."
Ulrich agreed. "We also need to consider the markets separately. The response is strong across several regions, but we should know where the interest is highest and where we may need additional promotion."
Valerie turned towards Alice. "Can you prepare a breakdown of the engagement by region, platform and source? I want us to understand where the announcement is getting the most attention. We should also track how the numbers change over the next few days."
Alice confirmed that her team had already started working on it. She would provide a more detailed report once the regional offices had submitted their figures. The marketing department would also monitor how many people continued discussing the album after the first wave of excitement.
Wayne looked at the artwork again. "I think the cover has helped. People aren’t just asking when the album is coming. They’re actually talking about what the image means."
"That’s what we wanted," Alice replied. "We didn’t give them everything, so they have room to discuss it."
Dayo had been listening to the discussion and looking through some of the reactions on his phone. He was pleased that people were responding to the artwork itself rather than focusing only on the fact that he had announced another album. The design had been created to communicate the general idea behind the music, and the different interpretations showed that people were paying attention.
Valerie asked what he wanted the next stage of the campaign to be. Dayo explained that he did not want them to rush into releasing everything at once. The artwork had introduced the album, and the next announcement should give people another reason to remain interested without revealing the entire project.
"We should give this announcement time," he said. "People have only just seen the artwork. Let’s see how the discussion develops before we move to the next stage. We can prepare the teaser, but I don’t want us to release it just because the first post is getting attention."
Alice agreed that they should monitor the response first. She wanted the team to understand how long the initial interest lasted and whether the discussion continued without another announcement. Wayne also supported the idea, explaining that the music deserved its own introduction when the time came.
The meeting continued for a while as they reviewed the next steps. Alice would oversee the engagement report and coordinate with the regional marketing teams. Ulrich would ensure the distribution arrangements were being prepared, while Valerie would supervise the wider campaign. Wayne would remain involved in the creative side and make sure the upcoming teaser reflected the album’s direction.
By the time the meeting ended, the announcement was still spreading across social media. Dayo returned to his office with his phone in hand, where several new messages were waiting. Some were from colleagues congratulating him on the announcement, while others were from people asking when the full album would arrive.
He opened one of the entertainment reports Alice had forwarded to him. The headline questioned whether his next album could surpass the records of Beautiful Things. Below it were comments from listeners debating the same question, with some already predicting another historic release and others reminding people that the music had not even been heard yet.
Dayo read through a few of the comments before closing the article. The artwork had been released, the public knew another album was coming, and the expectations were already rising. The team had more work to do before the album reached listeners, but the first announcement had achieved what they wanted.
For now, the door was open, and the audience was waiting to see what came next.
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