My Goblin System : Levelling up with my SSS Class Devouring skill
Chapter 585 (Fixed)
Chapter 585: Chapter 585 (Fixed)
What is he maintaining, Satou thought, while also managing this fight?
He pushed the engagement harder.
[ASSASSINATION ARTS — GRAND MASTER: TECHNIQUE #47 — PRESSURE POINT CASCADE]
His claws moved in the specific sequence that Merc Assault’s three-century accumulation of killing methods had refined into something approaching theoretical perfection — not targeting flesh but the metaphysical pressure points of a demon lord’s power structure, the junctions where capability met will and will met manifestation, the specific points that, struck in the right sequence, disrupted the operational coherence of even high-tier demon lords.
Against Chronus’s temporal field — temporal effects that Satou’s nature made inapplicable — the technique had to be adapted in real time, targeting the aspects of Chronus that weren’t temporal. The physical structure. The consciousness that maintained the working. The distribution of attention across multiple simultaneous operations.
Chronus responded.
His movement became less about distance and more about specific positioning — finding the angles where Satou’s approach required passing through the working’s field at its highest density, using the environmental temporal pressure as indirect obstacle even though it couldn’t affect Satou directly. Not a defense. A navigation challenge, adding complexity to Satou’s approach paths.
[VOID FANG + SHADOW ABSOLUTE]
Satou dissolved into shadow mid-charge, emerging from the dark stone of the third anchor structure at Chronus’s left flank, his claws leading, existence-erasing darkness coating them in the characteristic void-black that ate the light it encountered rather than simply blocking it.
Chronus displaced himself through temporal repositioning — not teleportation, more like sliding sideways through time’s moment-by-moment progression, occupying the same position a fraction of a second earlier before the claws arrived at the fraction of a second they arrived in.
The claws caught the edge of his sleeve.
The fabric didn’t age, didn’t decay — it ceased to exist, a two-inch section of dark fabric simply gone, removed from the causal chain. Void Fang’s existence erasure operated outside temporal mechanics rather than through them, making it the one offensive capability Satou had that Chronus’s temporal displacement couldn’t fully account for.
Chronus looked at his sleeve.
For the first time in the fight, something changed in his expression.
"Interesting," he said.
"Yes," Satou agreed, and hit him from three directions simultaneously.
[TEMPORAL ECHO — RICHARD’S ABILITY APPLIED]
From the temporal abilities absorbed through Richard Clay, Satou had the capacity to generate temporal echoes — not illusions, but genuine temporal duplicates, versions of himself displaced slightly in his personal timeline that could act independently for brief periods. Against Chronus, their value was specific: Chronus’s displacement ability worked by moving through time’s moment-to-moment progression, finding the moment before an attack to be somewhere else.
Temporal echoes attacked from the moments before and after simultaneously.
If Chronus displaced to the moment before Satou’s main body struck, the echo from that moment was already there.
The tactic required continuous recalibration — Chronus was fast at adjusting, faster than the rigid application of any single approach could match. But the combination of shadow movement, existence erasure, and temporal echo pressure was demanding enough of the Tenth Seat’s management attention that the split awareness Satou had noticed in the first twenty seconds was becoming more apparent.
Whatever Chronus was maintaining alongside this fight was taking real resources.
[ABSOLUTE NIGHTMARE DOMINION — SOVEREIGN]
Satou expanded his nightmare field.
Not the full ten-mile radius he’d eventually reached against Khar’razoth — this space already had its own reality-management overlay from Chronus’s working, and pushing against that would cost more than it returned. But a targeted application, nightmares localized to Chronus himself rather than the environment, reaching through the working’s ambient field to press directly against the Tenth Seat’s consciousness.
Chronus’s fears — old, very old, the specific fears of something that had existed for millennia and had learned long ago that fear was unproductive and had buried it at such depth that accessing it required significant working.
Satou accessed it anyway.
[OMNISCIENT NIGHTMARE VISION — PERFECT]
He read what he found.
Chronus feared being incomplete. Not death — something older than the death fear, more structural, the fear of a being that had spent its entire existence managing an essential emptiness, the space where thirty percent of himself had always been held outside him in Richard’s form. The fear was not of losing Richard — it had already lost Richard. The fear was of the permanent recognition that the emptiness could not be filled, that the thing that had been outside could not be restored, that three months of preparation and eighty thousand displaced people and the most complex temporal working he had built in three centuries would not — could not — actually address what was wrong.
Satou pressed this.
Not cruelly. Precisely. The fear applied as combat tool, not as punishment — the nightmare domain making what Chronus had buried accessible and present rather than buried and managed.
Chronus stopped moving.
For exactly half a second.
The specific half-second of someone whose buried thing had been brought to the surface without warning, the involuntary pause of a being encountering their own depth without preparation.
Satou moved through that half second.
[ABSOLUTE SEVERANCE + VOID FANG + DRAGONFIRE MANIPULATION ADVANCED]
Three abilities in combination — the Absolute Severance targeting the conceptual connections between the working’s maintenance and Chronus’s sustained attention, the Void Fang aimed at the connection point between the Tenth Seat’s awareness and the hidden element he was managing, the Dragonfire pressing against the physical space to force positioning.
The strike landed.
Not cleanly — Chronus’s recovery from the nightmare intrusion was fast, the half second enough for Satou to close but not enough to reach the central mechanism before the Tenth Seat repositioned. The Absolute Severance found something — a connection, real, severing a thread of attention that had been running from Chronus toward somewhere in the working — but Satou couldn’t tell what the thread connected to. Something to the north. Something he hadn’t placed in the ring’s anchor architecture.
And then Chronus did something Satou hadn’t anticipated.
He laughed.
Not dramatically. Not the villain’s theatrical laugh. A short, genuine sound — the specific laugh of someone who found a situation genuinely, unexpectedly funny, and who was too old to perform amusement when real amusement was available.
He stopped moving.
He stood in the clearing’s approximate center and laughed, and then the laughter faded and what remained was the smile — the same smile Satou had noticed in the final seconds of their conversation, the expression that carried something underneath it that didn’t belong to the performance of the Tenth Seat’s composure.
Satou stopped.
Everything in his training and his instincts said don’t stop, the fight is ongoing, an opponent who stops moving has a reason and that reason is dangerous. But his combat analysis, running at the level the Ancient God’s integration had elevated it to, was already processing the observation:
He’s not stopping because he needs to. He’s stopping because he’s finished.
The threat assessment didn’t match the posture. Chronus’s posture was not the posture of someone who had just made a tactical decision in a fight. It was the posture of someone for whom the fight had become irrelevant.
"Why are you smiling," Satou said.
Chronus looked at him with those ancient settled eyes.
"Because," he said, "I’ve already finished buying time."
Satou’s awareness snapped outward — the full reach of his perception, across the clearing, across the anchor ring, in every direction simultaneously.
"What do you mean," he said.
"The conversation we had before the fight," Chronus said. "The explanation of the working. The confirmation of what happened to Ashvale. The account of Richard. All of it—" He paused. "Was real. I meant every word. None of it was false."
"But it was timed," Satou said.
"Yes," Chronus said. "Real and timed are not mutually exclusive. I wanted to have the conversation. I had also been waiting to have it at this specific moment, in this specific context, for a specific duration." He looked at Satou. "You asked questions and I answered them honestly because the answers required a specific amount of time to deliver, and the time required was the time I needed."
"For what," Satou said.
Chronus’s smile held.
"You weren’t my primary target here," he said. "I said that Morgana wasn’t the primary target of Vael’kira — that the city was incidental." He paused. "This is the correction. She is the primary target here. She has been the primary obstacle to everything I’ve attempted for two hundred years. She will be again, if I allow her to remain capable of interfering."
The Absolute Severance — the thread of attention Satou had cut during the fight, running north from Chronus toward something he hadn’t placed in the ring’s anchor architecture.
Not north.
Not in the ring.
Above the ring.
"There’s an eighth anchor," Satou said.
"There was," Chronus said. "It completed approximately forty seconds ago, while you and I were engaged and Morgana and Seraphina were occupied at the sixth and fourth anchor structures." He looked up. "It’s not an anchor in the spatial boundary sense. It’s a different function entirely. The working at Ashvale failed because the coalition disrupted the temporal substrate anchoring. I spent three centuries understanding why that worked and what would prevent it from working again."
If you find any errors (non-standard content, ads redirect, broken links, etc..), Please let us know so we can fix it as soon as possible.
ReportUse arrow keys (or A / D) to PREV/NEXT chapter
Loading comments…